aka La Mujer Murciélago
Director René Cardona [Sr] Writer Alfredo Salazar
Cast Maura Monti (Batwoman), Roberto Cañedo (Dr Eric Williams), Héctor Godoy (Mario Robles), David Silva (No. 1/José)
Here's a fascinating and practically seamless experiment in film genre, splicing Sixties Batmania to the Masked Mexican film. An infinitely more glamorous character than Santo, Batwoman stars Maura Monti, the tall gorgeous actress of Italian descent who featured in a phenomenal thirty five films in her four year film career before she disappeared. Usually playing in tandem with other actresses, or second-billed to wrestling superstars Santo and Blue Demon, her chance to strut her costumed stuff came in 1967 with the lead role in La Mujer Murcielago, or the Mexican Batwoman.
The body of yet another drowned wrestler is discovered by fisherman off
Williams' attempts at creating a hybrid Fish-Man, it seems, have been thwarted by the lack of perfect human specimens, which the Mexican wrestling circuit is only too happy to supply in spades. What starts off as a curious experiment involving a fish tank, an Action Man doll and a goldfish (true story), evolves into an aquatic fetus in a plastic bottle, placed on the ocean floor and radiated into a life-size Gill Man the mad doctor calls Pisces (though in Spanish the word rhymes with 'feces'). “My vengeance will be terrible,” yells Dr Williams, “TERRIBLE!” as he plots the beginning of his unstoppable army of amphibious fin-soldiers controlling the High Seas – Peeces would need to be mated, of course, with an Gill Woman, and guess whose heaving Bat-Cleavage he has his scientific gaze squarely on...
Competently directed by one of the Granddaddies of Mexican Pulp, Rene Cardona Sr avoids, to his credit, the usual Batmania cliches of Penguins, Riddlers, and cartoon henchmen in striped sweaters, and plays his goofy-looking Creature From The Black Lagoon riff relatively straight-faced. Cardona gets more than his pesos' worth out of the underwater footage, and let's not forget the masked wresting sequences. In any other costumed superhero film these would seem extraneous - here they are a positive boon, though Mara Monti's stocky wrestling double is so glaringly obvious, even the blind guy in the audience can tell she's packed on more than a few excess pounds between shots.
So here we have Batwoman going eye-to-fish-eye with a creature sporting the body of a goldfish, the super-grip of a GI Joe, and the pineal juice of a Swedish wrestler, in La Mujer Murcielago, or the Mexican Batwoman.
AND BECAUSE THERE CAN NEVER BE ENOUGH BATWOMAN POSTERS....